By Kevin Cowdall
A few months ago The Telegraph published one of it’s periodic ‘Best of…’ lists, selecting the ‘Best War and History Books Ever Written’; a mix (or mish-mash, depending on your point of view) of historical fiction and non-fictional history.
Such selections are always subjective and, whilst we all have our own particular favourites, many of us would, I think, certainly include several novels from the list, and might well disagree with the selection of others. For the record, The Telegraph’s list included: Erich Maria Remarque’s All Quiet on the Western Front, Ernest Hemingway’s A Farewell To Arms, Stephen Crane’s The Red Badge of Courage, Norman Mailer’s The Naked and the Dead, Joseph Heller’s Catch-22, Sebastian Faulks’ Birdsong, Thomas Keneally’s Schindler's List, and Evelyn Waugh’s Sword of Honour and Pat Barker’s Regeneration Trilogies, amongst others.
What struck me most about the choice of fiction on the list was that, almost without exception, the main focus of these works is not on the perceived glory / actual horrors of the fighting (indeed several are, undeniably, anti-war in tone), but on the individual, often poignant, experiences of the participants, both combatants and civilians, and how conflict and struggle on such a scale can permanently change individuals and societies alike. The selected novels do not glorify war and few, if any, have a recognisable derring-do, swashbuckling ‘hero’ in the traditional sense of, say, The Three Musketeers of Alexandre Dumas, Bernard Cornwell’s Richard Sharpe, Aragorn, Legolas, Gimli et al in J.R.R. Tolkien’s Lord of the Rings, those of classic mythology and epic poetry such as Beowulf, The Aeneid, The Iliad and The Odyssey, and the Arthurian legend; nor even the anti-heroes and adventurers found in the works of Robert Louis Stevenson, Sir Walter Scott, H. Rider Haggard, G. A. Henty or Jules Verne.
As Remarque commented about the semi-autobiographical novel, All Quiet on the Western Front, “This book is neither an accusation nor a confession, and least of all an adventure”: He takes no overt political or moral stance as such, does not glorify or condemn; he simply tells a story and lets the reader fill in their own blanks. It is this which has, perhaps, contributed to making it (and the others on the list) such an enduring classic.
Likewise, Tolkien opines, “Courage is found in unlikely places.” In other words, like the characters in the above stories, recognition is not consciously sought, but nor is it shirked in the face of adversity or seemingly insurmountable odds. Characters become merely victims of the singular, and often bewildering, situations in which they find themselves, driven by, and responding to, unprecedented circumstances in a manner beyond their accepted norms of experience or comprehension. As Harper Lee has Atticus Finch declare in To Kill a Mockingbird, courage is, “When you know you're licked before you begin, but you begin anyway and see it through no matter what”. Such is the theme of my novella, Paper Gods and Iron Men.
Set in the North Africa Campaign of World War II, Paper Gods and Iron Men, is a story of endurance and survival, of ‘ordinary people in extraordinary situations’ - a phrase I have used repeatedly in publicity material and interviews to explain what the story, despite its setting, is really about. Two mismatched British Army officers have come together at a temporary aerodrome to be flown out. When their plane is shot down the two are the only survivors and begin the long trek north across the desert...
This Kindle edition is published with the short story, Flanagan's Mule, which shares the theme of personal determination and resolve, and which is set in a South-American mining community in the 1950s.
As Yann Martel reflects in Life of Pi, “Survival starts by paying attention to what is close at hand and immediate”, and Margaret Mitchell observes in Gone with the Wind, “Hardships make or break people.”
Paper Gods and Iron Men is available from the Kindle Store on Amazon at:
http://www.amazon.co.uk/Paper-Gods-Iron-Flanagans-ebook/dp/B008QNS1E0/ref=sr_1_1?ie=UTF8&qid=1343632543&sr=8-1#_
http://www.amazon.com/Paper-Gods-Iron-Flanagans-ebook/dp/B008QNS1E0/ref=la_B008BW2AJS_1_2?ie=UTF8&qid=1348658719&sr=1-2
Tremendous new voice
"These are two wonderful stories of survival. Cowdall has an expertly controlled style and is a tremendous new voice. At times I was reminded of the early, and best, Norman Mailer."
Paul Pickering (author of Over the Rainbow and The Leopard's Wife)
Amazon / Goodreads Reviews
A few months ago The Telegraph published one of it’s periodic ‘Best of…’ lists, selecting the ‘Best War and History Books Ever Written’; a mix (or mish-mash, depending on your point of view) of historical fiction and non-fictional history.
Such selections are always subjective and, whilst we all have our own particular favourites, many of us would, I think, certainly include several novels from the list, and might well disagree with the selection of others. For the record, The Telegraph’s list included: Erich Maria Remarque’s All Quiet on the Western Front, Ernest Hemingway’s A Farewell To Arms, Stephen Crane’s The Red Badge of Courage, Norman Mailer’s The Naked and the Dead, Joseph Heller’s Catch-22, Sebastian Faulks’ Birdsong, Thomas Keneally’s Schindler's List, and Evelyn Waugh’s Sword of Honour and Pat Barker’s Regeneration Trilogies, amongst others.
What struck me most about the choice of fiction on the list was that, almost without exception, the main focus of these works is not on the perceived glory / actual horrors of the fighting (indeed several are, undeniably, anti-war in tone), but on the individual, often poignant, experiences of the participants, both combatants and civilians, and how conflict and struggle on such a scale can permanently change individuals and societies alike. The selected novels do not glorify war and few, if any, have a recognisable derring-do, swashbuckling ‘hero’ in the traditional sense of, say, The Three Musketeers of Alexandre Dumas, Bernard Cornwell’s Richard Sharpe, Aragorn, Legolas, Gimli et al in J.R.R. Tolkien’s Lord of the Rings, those of classic mythology and epic poetry such as Beowulf, The Aeneid, The Iliad and The Odyssey, and the Arthurian legend; nor even the anti-heroes and adventurers found in the works of Robert Louis Stevenson, Sir Walter Scott, H. Rider Haggard, G. A. Henty or Jules Verne.
As Remarque commented about the semi-autobiographical novel, All Quiet on the Western Front, “This book is neither an accusation nor a confession, and least of all an adventure”: He takes no overt political or moral stance as such, does not glorify or condemn; he simply tells a story and lets the reader fill in their own blanks. It is this which has, perhaps, contributed to making it (and the others on the list) such an enduring classic.
Likewise, Tolkien opines, “Courage is found in unlikely places.” In other words, like the characters in the above stories, recognition is not consciously sought, but nor is it shirked in the face of adversity or seemingly insurmountable odds. Characters become merely victims of the singular, and often bewildering, situations in which they find themselves, driven by, and responding to, unprecedented circumstances in a manner beyond their accepted norms of experience or comprehension. As Harper Lee has Atticus Finch declare in To Kill a Mockingbird, courage is, “When you know you're licked before you begin, but you begin anyway and see it through no matter what”. Such is the theme of my novella, Paper Gods and Iron Men.
Set in the North Africa Campaign of World War II, Paper Gods and Iron Men, is a story of endurance and survival, of ‘ordinary people in extraordinary situations’ - a phrase I have used repeatedly in publicity material and interviews to explain what the story, despite its setting, is really about. Two mismatched British Army officers have come together at a temporary aerodrome to be flown out. When their plane is shot down the two are the only survivors and begin the long trek north across the desert...
This Kindle edition is published with the short story, Flanagan's Mule, which shares the theme of personal determination and resolve, and which is set in a South-American mining community in the 1950s.
As Yann Martel reflects in Life of Pi, “Survival starts by paying attention to what is close at hand and immediate”, and Margaret Mitchell observes in Gone with the Wind, “Hardships make or break people.”
http://www.amazon.co.uk/Paper-Gods-Iron-Flanagans-ebook/dp/B008QNS1E0/ref=sr_1_1?ie=UTF8&qid=1343632543&sr=8-1#_
http://www.amazon.com/Paper-Gods-Iron-Flanagans-ebook/dp/B008QNS1E0/ref=la_B008BW2AJS_1_2?ie=UTF8&qid=1348658719&sr=1-2
Tremendous new voice
"These are two wonderful stories of survival. Cowdall has an expertly controlled style and is a tremendous new voice. At times I was reminded of the early, and best, Norman Mailer."
Paul Pickering (author of Over the Rainbow and The Leopard's Wife)
Amazon / Goodreads Reviews
